![]() To deny the possibility of such boxing reflexivity would mean describing the fighter as a 'cultural dope' whose capacity for reflection is supplanted by the acquisition of fighting reflexes: this is what is entailed by the concept of 'boxing habitus'. While a boxer's knowledge lies first and foremost in his fists, the fight also triggers a vital consciousness of the situation-a body image-that, when articulated with habitualized motor schemas, makes reflection and strategy central to the action itself. In addition to considering the boxers and their 'culture in interaction', the essay reexamines a number of the assumptions embraced by sociologists of 'habitus' and 'practical sense'. By showing how these situations are embodied, it elaborates a sociology of the senses and meaning as it relates to these ordeals. This essay offers an ethnography of the 'conversations of gestures' that occur between boxers during training fights or 'sparring'. The goal is to stimulate a more balanced discussion of Lee's films both from the perspective of global action cinema and Chinese culture. ![]() These films shed light on the complicated relationship between the cinematic (action and stasis), the martial (Jeet Kune Do), the aesthetic (ideation), and the philosophical (Daoism). The discussion focuses on films in which Lee's creative influence is clearly discernible, such as Fist of Fury (1972), The Way of the Dragon (1972), and the surviving footage intended for The Game of Death featured in Bruce Lee: A Warrior's Journey (2000). The former refers to a paradigmatic shift from concreteness to emptiness, while the latter makes such a shift reversible and perennial via the motif of circularity. Through a close reading of Laozi's Daodejing (道德經), it is possible to discover two traits of nothingness-namely, reversal and return-which are characteristics of Lee's representation of martial ideation. In Lee's films, the concept of martial ideation is embodied in the Daoist notion of wu (nothingness), a metaphysical void that is invisible, nameless, and formless. However, not much attention has been paid to their aesthetic composition-in particular, how cinematic kung fu manifests Chinese aesthetics and philosophy on choreographic, cinematographic, and narrative levels. Subsequently, several studies explored the cultural significance and political implications of Lee's films. Since the early 1970s, Bruce Lee's kung fu films have been labeled "chop-socky," offering only fleeting visual and visceral pleasures. Martial ideation refers to a specific negotiation of action and stasis in martial arts performance which contains a powerful overflow of emotion in tranquility. This article argues that Bruce Lee revolutionized kung fu cinema not only by increasing its authenticity and combativity but also by revealing its inherent connection to wuyi (武意), or martial ideation. Attention please! I have new item for biding is coming week. ) All transactions must be completed within 7 days of close of auction. Payment PAYPAL/CASH ONLY!! Shipping cost and handling charges Worldwide US$30.00 (by EMS) (I ship via EMS at one Fix Fee for all International Orders With insured & tracking Arrival within 3 to 5 days if no delay from customs & duties. RARE LIMITED EDITION BOOK and BONUSES in EXCELLENT CONDITION. Also features contributions by Jerry Poteet, Diana Inosanto, Tim Tackett, Chris Kent, Richard Bustillo, Yori Nakamura and the late Ted Wong (250 pages). Featuring an introduction by Linda Lee, this is essential reading for any practitioner, offering a brief glimpse into the mind of one of the world’s greatest martial artists. With the collaboration of Lee’s daughter, Shannon, and Bruce Lee Enterprises, this new edition is expanded, updated, and re-mastered, covering topics such as Zen and enlightenment, kicking, striking, grappling, and footwork. ![]() The science and philosophy behind the fighting system Lee pioneered himself ”jeet kune do” is explained in detail, depicted through hundreds of Lee’s own illustrations. Compiled from Bruce Lee’s notes and essays and originally published in 1975, this iconic volume is one of the seminal martial arts guides of its time. Included is the Tao of Jeet Kune Do Expanded Edition book (autographed by Shannon Lee on page 3with the inscription "Walk On"), a certificate of authenticity issued by Bruce Lee Enterprises dated Octoand 2 replica pages from the Commentary on the Martial Way (the source for the Tao of JKD). ![]() This limited run of 150 copies SOLD OUT on the first day of release. BRUCE LEE: TAO OF JEET KUNE DO BRUCE LEE ENTERPRISES TAO PACKAGE EDITION! Ohara Publications, 2011 FIRST PRINTING! Prior to the formal release of the Tao of Jeet Kune Do Expanded Edition, Bruce Lee Enterprises released 150 autographed copies by his daughter Shannon Lee. ![]()
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